Denis Ciporanov – Tomáš Kulka, Co je umění?: Texty angloamerické estetiky 20. století, Červený Kostelec 2010.
Umberto Eco, Dějiny krásy, Praha 2005
Vlastimil Zuska, Estetika, úvod do tradiční disciplíny, Praha 2001
Miroslav Petříček, Myšlení obrazem: Průvodce současným filosofickým myšlením pro středně nepokročilé, Praha 2009
Steven M. Cahn (ed.), Aesthetics: A Comprehensive Anthology, Wiley-Blackwell 2020
Aesthetics
| Type of study | Bachelor |
|---|---|
| Language of instruction | Czech |
| Code | 340-0422/01 |
| Abbreviation | ES |
| Course title | Aesthetics |
| Credits | 2 |
| Coordinating department | Department of Machine and Industrial Design |
| Course coordinator | Ing. Lukáš Kudrna, Ph.D. |
Subject syllabus
1. The subject of aesthetics, the aesthetic situation, and methods.
2. The aesthetic object and aesthetic experience.
3. Empathy vs. distance.
4. Aesthetic (emotional) quality.
5. Aesthetic value.
6. Classical aesthetic categories (beauty, harmony, mimesis, proportion, symmetry, etc.).
7. Ancient aesthetics.
8. Issues of visual art in medieval and Renaissance aesthetics.
9. Visual aesthetics of the 17th and 18th centuries.
10. Aesthetic formalism and the issue of aesthetic perception of works of visual art.
11. Modernist and postmodernist aesthetics and visual art throughout the 20th century.
12. Methods of analysis and interpretation of works of visual art in theories and aesthetics of visual art after 1900.
13. Issues of forgery and kitsch in visual art.
2. The aesthetic object and aesthetic experience.
3. Empathy vs. distance.
4. Aesthetic (emotional) quality.
5. Aesthetic value.
6. Classical aesthetic categories (beauty, harmony, mimesis, proportion, symmetry, etc.).
7. Ancient aesthetics.
8. Issues of visual art in medieval and Renaissance aesthetics.
9. Visual aesthetics of the 17th and 18th centuries.
10. Aesthetic formalism and the issue of aesthetic perception of works of visual art.
11. Modernist and postmodernist aesthetics and visual art throughout the 20th century.
12. Methods of analysis and interpretation of works of visual art in theories and aesthetics of visual art after 1900.
13. Issues of forgery and kitsch in visual art.
Literature
Advised literature
Erwin Panofsky, Význam ve výtvarném umění, Praha 2013
Roger Scruton, Estetické porozuměn: eseje o filozofii, umění a kultuře, Brno 2005
Erwin Panofsky, Idea: příspěvek k historii pojmu starší teorie umění, Praha 2014
Georges Didi-Huberman, Ninfa moderna: esej o spadlé draperii, Praha 2009
Nicolas Bourriaud, Postprodukce, Praha 2004
Noël Carroll, Philosophy of Art: A Contemporary Introduction, Routledge 2001
Roger Scruton, Estetické porozuměn: eseje o filozofii, umění a kultuře, Brno 2005
Erwin Panofsky, Idea: příspěvek k historii pojmu starší teorie umění, Praha 2014
Georges Didi-Huberman, Ninfa moderna: esej o spadlé draperii, Praha 2009
Nicolas Bourriaud, Postprodukce, Praha 2004
Noël Carroll, Philosophy of Art: A Contemporary Introduction, Routledge 2001